Wink, Texas, can use a little encouragement.
The same way a young married couple benefits from a banker willing to take a chance so the two can get started on a new life, or how a man who has paid his debt to society is given a new suit and some folding money as he starts life again, Wink could use a little help.
The little out-of-the-way oilfield town in Winkler County experienced the height of its glory days long ago and all that's left standing today are memories, some 50 years old, some older.
It was in the late 1950s when humble, quiet high school student Roy Orbison picked up a guitar, formed a band and played weekends at the Rig Theater, a structure still standing in what now passes for a downtown.
There's not much that still goes on here. Even the vendors that descend on this place for the annual Roy Orbison Days every June take up less than a city block, and more often than not there are plenty of seats at the exhibition building during dances that feature Orbison tribute artist Walt Quigley, a man -- maybe the only man -- who has devoted his life to perpetuating the memory of Orbison.
Quigley, who splits residences between Wink and Lake Havasu City, Ariz., just this week planted a marker awarded by the Texas Historical Commission at Roy's boyhood home on the former Waverley Ave., and has already turned his attention to his next project: refurbishing the Rig.
There are not a lot of people or businesses out here willing to drop six figures to put a new roof on the old place, despite the history that once graced the stage. It does seem like a good opportunity, though, to be a good steward to a place that long ago served an oil company in a good manner. Maybe now all these years later, giving back would be a way to say thank you, although that's maybe an idyllic way to view the world today.
Quigley says a mere $160,000 would take care of replacing the roof on the old place, which would then allow workers and volunteers to go in and complete a total refurbishment, which could run a shade over $2 million.
"Being a small town like this is the main problem," Quigley said of any potential efforts to raise funds for such a project. "We'd like to find somebody who could use a tax write off. I promise them we could offer a lifetime prime title sponsorship of the theater. It would read, for instance, 'The Exxon Mobil Rig Theater' on the sign out front and in all our advertising. It would be very nice to have someone be able to commit to that kind of money."
Quigley said a revitalized Rig could be used for a number of occasions: dances, school functions, a hamburger stand, even a new home to the Orbison memorabilia currently housed down the block in a museum that offers the artifacts little protection from the sunlight and other environmental factors that may be damaging the items, including this rare and aging photo at right of a pre-teen Orbison and one of his beloved model airplanes.
In promotional materials designed to appeal to someone who might invest in such a venture, the people of Wink stress the historical significance of the theater, the fact that Orbison's band The Wink Westerners once opened for Slim Whitman here, and how the interior of the structure has "pen knife graffiti" still preserved on the staircase walls leading to the balcony.
"Simply put, the memory and talents of Roy Orbison and his timeless and beautiful music will be given permanence in his hometown of Wink, and Wink (would) again have a beautiful central location for all forms of entertainment, arts enterprise and gathering. ... It's most important historic value lies in its place in West Texas entertainment and the fact that the world famous and greatest rock and roll operatic ballad singer, Roy Orbison, delivered some of his earliest performances here. ... This is a very timely undertaking. We appeal to the world to get involved."
Appealing to the entire world may be a bit of a stretch at first thought, but the guest book in the Roy Orbison museum reflects even today that 20-25 visitors a month still venture out this far to get a glimpse of Orbison's boyhood home. If that many people come as far and as out of the way as Wink, that alone should suggest that such an investment to refurbish the Rig would give this little place the kick start that maybe it needs and one that would help more people sit up and take note of the cultural impact Roy had.
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